Sound and its relationship to architecture
Sound and its relationship to architecture – sound is a spatial event, a material phenomenon and an auditory experience that has entered into one of the relationships, which can be described using distance vectors, direction, and location, the sound within the architecture each constructed space can modify the sounds that occur there, place, reverse or frequency, incubate Sound transcends the spaces in which it occurs, and opens an ingenious context to the listener: the audio source and its surroundings unite in a unique hearing experience.
Over the years, the relationship and symmetry between music, acoustical art, sound design and architecture has been explored in several distinct aspects, as architecture works on solid materials, visual spaces, engineering, abstract facts or social contexts, it works on acoustic facts in terms of acoustic dimension when it comes to space, Sound can be evaluated in an architectural process, just like acoustic architecture as well.
Although when it comes to music, there has been a debate about the validity of the similarity between musical space and architecture, and there is also a way to link both concepts in the role of sound design, because it does not depend on a fixed language like some music, as architecture is always open to contexts that It develops or is developed in it.
Space in terms of acoustic design is very important both in terms of visual and external spaces projected in a particular audiovisual medium, but also in the internal, abstract or invisible colleges of a particular piece such as a movie or video game, we feel that it is easy to offer the possibility of creating a structure with audio elements The same way it creates the visual side of its spaces and elements.
Invisible structures and their relationship to architecture
There is an invisible structure based on the acoustically perceived space that is not necessarily dependent on visual stimuli, and in this sense the acoustic design not only matches the assumed acoustic properties of the visual space, but also expresses the way in which new modifications and visualizations are created for the spatial dimension, reaching A hypothetical acoustic structure, we can consider that a fictional concept of space is not only physically in terms of context but is audible and perceptive, it aims to open up to the different concepts of the space itself, either vocal or vocal, and is in fact creating a space between the two concepts in order to develop the concept of engineering Architecture and its relationship with sound.
The relationship between architecture and music
Mathematics is considered as a means of organizing thought and formation, by looking for a short, reserve, and explicit voice through which classical philosophical thinking is addressed, music and installations began to formulate spatial discourse considerations as basic formative strategies.
Mathematics was the starting threshold for engineering where it affected mathematics systems and their relationship to music, and these geometrical forms do not necessarily have to be based solely on the rigors of linearity. New music and acoustics generate clarity of pure sound, as sound can be interpreted as a set of frequencies that are influenced by the shape of spaces and architecture.
Silent or open spaces in the vocal view give way to another possible term that we should appreciate in parallel with sound design and architecture, which is the concept of architecture and building construction, especially because of the way in which sound can create different visual shapes and spaces depending on specific structural and acoustic properties, if The presence of this virtual sound space offers us new creative possibilities that the designer can create a new and innovative concept of architecture.
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