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The Indirect Effect of Feelings on Architecture

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The Indirect Effect of Feelings on Architecture | التأثير غير المباشر للعواطف على العمارة

Sometimes we look at many things as constants and postulates that make up the surrounding architectural environment around us. Looking at the origin of man, we see that it is basically linked with concrete architectural elements that have influenced him systematically and resulted in the impression of the population and formed us the architectural identity and urban style, we may not exaggerate if we say that these determinants resulted from the genetic influence that was reflected in the reality of human life, the genetic influences that cast their shadows on society mainly and largely within the geographical scope in which the individual resides, and resulted in nations, tribes, forms and features that distinguish each Asian, African, European and South American society appeared, all of these genetic features were mainly affected by climatic influences, as biologists and historians say, in addition to spatial influences.

And speaking of identity and urban style, clothing was affected as well, and there was an indirect effect of clothing on architecture, and vice versa. Architecture is a basic entity mentioned with a basic symbol. For example, we see a link between the meaning of the design of the clothes of King Abdul Aziz, the founder, with the shape Al-Masmak Palace, which may have been described as the House of Government in Riyadh at that time and its outstanding importance, the visitor at the time may not notice the presence of King Abdul Aziz, but with an indirect influence between fashion and fashion and its connection with architecture, it will become obvious for any visitor to Riyadh Knowing the identity of the founding king after he hints at his clothes and their connection to the Palace of Government at that time. Here we must distinguish between the emotional impact of architectural elements and other sensory elements related to man. We may find a related relationship between the fashion designer and the shape of the palace at that time without having to Feel first hand these details.

We do not deny that man has learned after that to be more practical and realistic, and man has learned that emotional attachment may be impractical in many matters and this resulted in the industrial age, which may be referred to later as the time period that caused damage to the environment and global warming, add to Monotony in the architectural composition of some architectural cases.

In view of the effect of emotion on man and what may sometimes be unsuccessful, we would like to make it clear that man is the enemy of what he is often ignorant of. He may always be discontented with any new building or architectural design, and this is normal and what should be called (humanity behind architecture) because every action results from an impression that will determine the extent of satisfaction and humanize the void with the user who accepts the architectural void and here We want to tell the story of this architect who was contemporary at the time, he is the Austrian architect Eduard Van Der Null, an Austrian architect who was in close communication and loyalty with the Austrian royal court. Important design and implementation of the opera house in Vienna, the well-known building and currently erected in 1901

Literally, Edward was doing special work at that time, and work continued on this distinguished edifice for many years until that day, which the architect dreamed of, which was to open the building. Everyone was surprised that the emperor did not like the building and criticized it, and that opened the way to the public. To question the architectural design of the building and its ugliness, and the scathing criticism describing the building and the architectural design, which he could not strengthen this architect, prompted with regret to suicide, then leaving the metaphorical field to describe Aubrey in us that it is the largest monument to a shrine that commemorates this architect Which in theory is a victim of human emotions that affect architecture.
However, the most surprising paradox is that the architect is often predictive of the future, as this Vienna Obery building is now a focal point for tourism in Vienna, and is even referred to as one of the signs of the earth in Vienna and an art center containing the artistic heritage of the city.

Architectural design is a wide field that can accept everything, this article is talking about some things and it seems like a philosophy in the end, as it is said all roads lead to Rome, we will say all elements can be associated with architecture. The distinguished architect will read the future. We reviewed the idea of ​​the Austrian architect, but things may seem at that period to be shallow for society. The architect allowed society, which at that time was not very knowledgeable, to question a natural achievement. Indeed, we can describe Aubrey in us now as a natural achievement. At that time, the fact that the societal vision was shallow for society and the evidence for that, one of the historians goes to the greatest achievement description of a cinematographic film as the science fiction movie at that time the French movie (A Trip to the Moon)

Society has been correct in describing the scene of the spacecraft penetrating the lunar atmosphere, but the emotional description gave the viewer an opportunity to imagine that the lunar climate and human settings are considered normal, and this is very naive now. , made the previous era a strong influence on man and architectural design, then came science and the tremendous development in the field of science and made man more realistic and pragmatic with regard to all the details of his life. Including architecture.